Sound Recycling

A group photo featuring the "instruments" of the performance

 
 

Category: Sound/Physical Theater

Director: Tan Tan

Producer: Long Miaoyuan

Costume Design: Yang Yiming

Execution: YY, Penny

Date: September 5, 2020, 15:00-15:20

Location: OCT-Loft C2, Nanshan District, Shenzhen

Materials: Various recycled waste

Performers: Qu Hong, Tian Yu, Gong Ting, Yang Yanting, Xu Xiaoyu, Yi Nan, Qin Tian, Qiu Weicheng, Huang Rongqi, Xia Baolin, Tan Tan

· Opening performance of the “Trash New Order” 2020 OCT-LOFT Public Art Exhibition, Shenzhen, September 2020

 

People usually pay attention to the morphological forms of objects, but we seldom listen to the sounds of objects.

Sound is frequency and wave. It is one of the best ways for human beings to resonate with the universe. Let's listen to, feel, and even play with these remnants (aka Trash) - this is a ritual of Trash-formations.

RECYCLING INSTRUMENTS

The instruments used in the performance were crafted from everyday materials found in life: aluminum cans, plastic bottles, plastic containers, glass bottles, plastic hoses, metal, cardboard, discarded buttons, and more.

 

RECYCLING COSTUME

The performance costume for Tan Tan was designed by costume designer Yang Yiming and was also crafted from collected leftover materials.

This includes various types of plastic bags, plastic bubble wrap, product packaging bags, and more.

 

SOUND PAINTING

This ritual of giving new life to leftovers was realized through a collective "Soundpainting" workshop.

"Soundpainting" is a commonly used collective improvisational technique in European and American music academies. In this technique, a conductor or composer uses a set of predetermined gestures to conduct a group of participants, which can include musicians, dancers, or even visual artists, as well as individuals with no artistic skills. The conductor communicates real-time improvised "composition" by directing participants to produce corresponding sounds based on remembered gestures and movements. Each participant represents a fixed "note," and the collaboration of multiple participants creates a symphonic effect.

The ten performers recruited from the public were all non-professional actors, ranging in age from five to over fifty. Together, they collaboratively created a short play during the workshop, in a game-like atmosphere.

Everyone can be both an environmentalist and an artist.

 

The entire crew of the performance